An Interview with the Record Pilot

Recently I had the honor of being interview by Elizabeth Lanza at the "Record Pilot". It was my first experience with having a feature story written about me or any of my projects and I have to admit, it was pretty thrilling! I also realized that I might say the word "fun" a bit too much...

Anyway, check it out at: Interview with Julie

Mini-Reunion at the New Jersey International Film Festival

I am not a lady who is big on reunions. My high school had a 10th year reunion and I was a no-show. My college, I'm sure, will have some kind of gathering of alumni of which I will likely not attend. It's not that I turn my nose up at those kinds of events, it's more that I simply find them overwhelming:

"Oh my god! Look at you!"
"No, look at you!"
"You haven't changed a bit!"
"I love your hair!"
"Look at your dress!"
"Holy cow, look at your ass!"


Now with the onset of social media sites like Facebook and Twitter it's like being at a reunion every single day of your life. It also hasn't helped that I've had friends who've had rather *interesting* experiences at their own reunions. One friend was so nervous that she got more drunk than she ever had before causing some embarrassing shenanigans to ensue, and another told me a story of their married friend being propositioned by an old and married boyfriend. So much drama! That's why I'm happy sticking to the odd (and sometimes weird) confessions of old classmates' status updates on Facebook.

However, when my short film, "Milestone" got into the New Jersey International Film Festival, I couldn't give up the opportunity for a mini reunion with some girlfriends from college - especially since the festival screens their films on the Rutgers campus! Did I mention that that's where I went to school? No? Whoops.

So this Saturday, I'm going to dinner and a movie with some old friends. Some of these ladies I've kept in touch with and others I haven't seen in a very long time. At first, I'll admit I was hesitant since I still have that lingering feeling of failure since the breakup of my marriage, but I've decided to push through it. My college experience was great - I had wonderful friends surrounding me for four years and that alone helped me get past my trepidation. I'm still figuring out how to integrate my personal setbacks into my life and I figure there's no better way to help me do that than by meeting up with some old friends... and having a couple glasses of wine.

Back from the BIFF!

Jess and I are back from the Berkshire International Film Festival and we had a fantastic time! Kelley Vickery, Lauren Ferin and Rachel Bronstein put on another amazing festival, packed with great films, awesome cocktail parties and an incredible welcoming community. Although we missed the Opening Night celebration, the second night we were able to attend the tribute to Patricia Clarkson, which was such a treat for me since she is one of my all-time favorite actresses (and “The Station Agent” is one of my all-time favorite movies). Her tribute included guests like Lauren Ambrose and Chris Noth as well as a packed house in the gorgeous Mahaiwe Theater. That will be a night I shall remember for a long time.

“Milestone” was screened in a block of great films. I felt very honored to be among such good movies (some included: “Wasting Daylight”, “Breaking Boundaries: The Art of Alex Masket,” and “The Jacket”).

Overall it was a blast celebrating a movie with a friend I’ve known since middle school at a festival that just gets better and better. Be sure to check it out next year!

Milestone is DONE done!

Milestone is finished! The dvd has been burned, duplicated and put into fancy cases with artwork and everything! And to all of that I say... Phew!

Now we're onto the film festival world! I feel like I'm back applying to college again... will they like me? Will I fit in? Will I like my roommate (okay, maybe not so much that one, but the others definitely still apply). It's so hard to know what is going to excite someone about a short film - other than it not being awful. Granted I've been to a number of film festivals, but to tell you the truth, there's never really seemed to be any rhyme or reason to the films that were chosen. Sometimes they'll put the films into themes: like comedies, thrillers, experimental etc., but other than that, there was always a broad range in production value, story content and length.

So where will Milestone be seen? Who knows? But I can't wait to find out!

Thanks to everyone involved!

-jules

Milestone in Post Production

The short film I wrote and directed, titled, Milestone is very close to being finished. Alicia is furiously editing it and Banana Whale is providing the music, and there’s color correction happening, and foley being added...all sorts of fabulous post-production things are occurring. So, that means it will soon be reaching its finished line; which is thrilling for me!

I’ve been getting asked a lot about what the experience of directing was like and usually I respond with very short answers like ‘I liked it,’ or ‘I learned a lot’, or some sort of something that was positive but general and allowed the person to get on with their life. Lately however, while sitting with Alicia and going through the fine tuning process I’ve realized something... The biggest thing I’ve learned about directing is that the number 1 thing you need to do is surround yourself with people who are both honest and smarter than you. It can be hard to see the forest for the trees when you are listening to your own words and watching performances that you’ve directed. As I expected, there were moments that I would’ve done differently if I had to do it over again and there were lines that, once they moved from the page to the screen were no longer necessary. While I, on my own, could’ve sussed some of these things out, the fact that I had Alicia sitting there with me, offering her thoughts and concerns helped immensely. With her editor’s eye she was able to not only offer suggestions, but was actually able to put those suggestions into the video so I could see them in action. That was amazingly helpful!

So... to all of you newbie directors out there like me... do not operate as a one person show – surround yourself with people that think like you – only better, faster and smarter. You’ll thank me later!

Best Laid Plans: Milestone Part 3

Every writer says to write what they know. So this past year or so, that’s what I’ve been trying to do. Writing about what I know has certainly brought on Best Laid Plans, for example. It’s brought on my first effort at a novel and it also brought on Milestone. While the circumstances surrounding the plot in Milestone are certainly not autobiographical, the emotional place the story lives in is. So then, the question becomes, how do I direct a story that comes from such a familiar emotional place? Truth is, I had no idea.

In watching Becky's and Brian's audition, I realized that it was so helpful to see great actors interpret the script in their own personal way. They brought certain moments and ideas to their performance that struck me as both interesting and different. So while I was entering territory I’d never really been in before with regard to directing a film, the one thing I did know was that I wanted to hear from the actors. I wanted their ideas and thoughts about who they were playing. This could not only broaden the story in that three heads are better than one, but it could also move me further away personally from the story – which I thought was vital. Nobody wants a director that is too tied in emotionally to a story that they can’t see the forest for the trees, so talking to them – getting their point of view was amazingly helpful.

Rehearsals were a blast. Brian and Becky were so much fun to work with and I got lucky in that they were open to any and all ideas. Whenever you’re trying something new – and even sometimes when you’re doing something you’ve done a thousand times before, you’re always waiting for someone to call you out as a fraud. You’re always anticipating that someone will tell you that you don’t know what you’re doing. Thankfully, both Becky and Brian never looked at me sideways, never called me out as a first-time writer/director and always added on to my proposals. I realized I loved directing and the push and pull of knowing when to throw your two cents in and when to let the actors run with it.

I know that some film directors do very little rehearsal, but for me it was essential. Playing a new role on set meant that I wouldn't have the space in my wee brain to really give the actors my full attention once shooting began. I didn't want to be in the position of debating moments on set while the rest of the crew was waiting around. I knew that ideas would still be percolating but I wanted to make sure the actors had a solid foundation to work from (and me too for that matter). Although I can't speak for them, I think the actors were pretty keen on the rehearsal process as well - or - being good actors, they surely hid it very well! By the time the production dates approached, I felt pretty damn good about the performances and could make room in the 'ol noggin for everything else I needed to be thinking about... like say... the shot list.

Yikes.

Best Laid Plans: Milestone Part 2

Of the two characters in the movie, I assumed that finding Billy would be more difficult than finding Denise. I know a number of great actresses in the city and knew that any number of them could take a bite out of the role. However, with great actresses giving their all to a role, you quickly realize that what it comes down to are small details. How did Alicia and I see Denise? What kind of vibe did she have? Should she come off as a professional? As a giddy woman doing something she’s never down before? As a ball of nerves? Tightly wound? All of these things? In terms of physical appearance, I saw a huge range of people – all different sizes, shapes and look. Alicia and I had agreed that Denise, above all, needed to look like an every-woman. She needed to be someone that we could all recognize. So again, we were back to just needing a great actress.

Decisions, decisions...

When Becky White read for the role, she was in San Francisco doing a play. I always feel it’s a disadvantage to see someone on tape when you’re seeing everyone else in person, but regardless, I had asked her to read for Denise and she had expressed interest in the role. Part of what I had appreciated about Becky’s audition was the amount of work she had clearly put into it beforehand. There is nothing more satisfying as a writer/director than seeing that a person has put a lot of energy into their audition. It gives the sense that the project will matter just as much to the actor as it does to you. And Becky definitely gave us that sense. Beyond that, casting Becky was a lesson for me in terms of learning about the nuances in the casting process. When you see a number of great actresses, it may just simply come down to a person’s energy or some small detail that they brought to their audition that catches your eye. It wasn’t that anyone else was bad or wrong, quite the opposite actually, it was just this indescribable nuance that we saw in her.

So the casting process was finished. I had my Billy and now I had my Denise.

On to rehearsals.

Best Laid Plans: Milestone

Finding Billy.
How about this order at a drive-thru window: I'd like a male prostitute between the ages of 25 and 30, with a great body and more specifically, a six-pack; who is not a street thug, but more like a sensitive, high-priced escort who can give you the best sex you've ever had? And can I have fries with that?

When one writes a short film that includes a man with a six-pack, it means that when the director has to cast said man, they have to ensure that said actor has said six-pack. Needless to say, I had girlfriends offering to volunteer for the casting session to help me make such a difficult decision.

I've helped On the Leesh cast stuff before but, while we may have been seeking actors with a certain look, we've never had such a specific body requirement as this story called for; and I was never the director. So beyond making sure that they had the physical requirements of the role, I had to make sure that they were also able to make the emotional connection to the part.

Obviously, I'm usually on the side of the actor. Going into auditions and getting notes from the director and/or casting director and trying to suss out what they wanted. With me on the other side of the table, I wanted to make sure that I was clear in what I said; that my notes made sense. That I wasn't putting any actors in the confused position I've occasionally found myself in when getting a note. I was incredibly nervous, actually. I wanted an actor that came in and seemed to be in the same ballpark as how I'd heard the role in my head, but was also able to change it up if necessary. And I knew that I needed to give myself room for error, so I also wanted an actor who would be able to bring their own ideas to the table as well. And I needed the actor to work for no pay.

Hmmmmm... tall order.

Half-way through the auditions, in walked Brian Patacca, an actor On the Leesh knows quite well since he's a regular on one of our webseries, The In-Betweens of Holly Malone. He had seen the ad for the audition and asked if he could read for the role of Billy. Now, just to be clear, we saw a lot of guys that day. We were sent A LOT of headshots. Apparently, there is an abundant amount of six-pack-having male actors in NYC. Who knew? So we saw a number of guys who gave great auditions, but Brian walked in and nailed it. For me, it was like the directing gods were giving a little gift to the newbie. He made me interested in the character in a new way. We called him that night and he accepted the role.

We had our Billy. We were half-way there in this two-person story.

All that's left was finding Denise...

Best Laid Plans - Introducing Milestone (Part 19)

Like most adventures, coming home from Ghana felt a little... Well... Anticlimatic. I had an amazing time but needless to say the week flew by and it seemed suddenly Joe and I were back on the plane (where we were sanitized) and heading home. Once we got back, I gave everyone their gifts and then Joe left the project and I was left with this footage thinking – what do I do now? Things didn’t feel over. It seemed like it was part of a larger story. What is this life I’m leading now? What does it look like? The trip to Africa felt like just a part of it rather than the total IT. Everyone around me was either very seriously attached, married and/or starting a family of their own. I couldn’t see my life in theirs anymore and Africa didn’t change any of that (of course). It’s not that I necessarily expected it to, but after it was over I felt like it was more of an inauguraul entry into a new life rather than the culmination of something. Like it or not, my life isn’t going to be filled with coming home to a husband or partner. It’s not about sleepless nights with a crying baby. So what is it? The question again comes back to – what is my Plan B?

The answer is: Adventure.

A couple of months back from Ghana, I had an idea. A short comedy about a woman who’s friends go to extreme measures to help her get over her husband leaving. It was about 10 pages long and just launched out of me onto the page. When it was finished, I gave it to Alicia to see what she thought. The next thing I know, we’re talking about adding it to the On the Leesh roster of projects and she’s asking me if I have any interest in directing. Me, direct? I’ve never directed a film before. I always looked at having someone else direct my words as it being a safety net for the script. Writer/directors don’t always have the ability to see the forest for the trees when something isn’t working – and I greatly feared that. But isn’t that what this year is about – doing things I fear?

Suddenly, part 2 of my story was becoming clear.

Here we go... I was going to direct a film! And so... I introduce you to “Milestone”.